Andreas Gursky, Chicago Board of Trade (1999)
From WikiPedia:
Visually, Gursky is drawn to large, anonymous, urban spaces—high-rise facades at night, office lobbies, stock exchanges, the interiors of big box retailers. (See his 1999 print 99 Cent ) in a 2001 retrospective, New York’s Museum of Modern Art called the artist’s work, “a sophisticated art of unembellished observation…It is thanks to the artfulness of Gursky’s fictions that we recognize his world as our own.”[3] Gursky’s style is enigmatic and deadpan. There is little to no explanation or manipulation on the works. His photography is straightforward. [4]
More Gursky like the one below, “99 Cent,” at this Moma exhibit “brochure” >>
